Saturday, November 27, 2010

Linkin Park (1 Made, November)


Linkin Park Singer Chester Bennington Loved His 'Saw' Movie Role











October 28th, 2010 1:49pm EDT  1 comment favorite Add to My News

Chester BenningtonRocker Chester Bennington is delighted with his latest role - he's been immortalized as a victim of twisted serial killer Jigsaw in the new Saw movie.

The Linkin Park frontman is a huge fan of the bloodthirsty film franchise, and he jumped at the chance to play a man held in a gruesome "do or die" trap in Saw 3D, which hits cinemas on Friday. And the What I've Done hit-maker found it easy to slip into the role - he has suffered so many injuries in his life, he knows how it feels to be paralyzed by pain.

Bennington tells Kerrang! magazine, "What I love about the Saw films is the incredible brutality. This is more than (Halloween killer) Michael Myers stabbing people. This is drawn-out, psychological torture where you have to hurt yourself, but it's really hard to pretend to be in agony when you're not feeling any pain. Luckily, I've experienced a ton of physical pain in my life. I've hurt my back, broken bones, and torn ligaments, so I know what excruciating pain feels like and could draw on that. The shoot was long, but it was cool to be involved."

In the Saw movies, psychopath Jigsaw places his victims in elaborate traps where they face a choice of a slow death or an unbearably painful route to survival.  Bennington is refusing to give details of his character's fate - but promises movie fans his role is not for the squeamish.

He adds, "I can't even tell you if I die or not! Let's just say that my wife and I have watched all of these movies together, and she was very close to puking when she watched me film my scene. It's f**king horrible."
Saw 3D





The day after Linkin Park's latest album was released, its lead singer, Chester Bennington, logged on to iTunes to check some of the reviews. Though the responses weren't all positive, he liked what he read.


"This time around it's like, they either love it and it's five-stars across the board, or they hate the record so much that ... if they could they would throw it at us," Bennington said. "And I think that's great."

While there's still heavy metal-fused hip-hop on "A Thousand Suns," there's also psychedelic, instrumental moments that are a departure for the Los Angeles-based rap-rockers. Mike Shinoda says "Suns" is an album that "asks a lot of attention from people," adding that "it's more of a 48-minute experience than it is just a collection of singles."

"We really tried to make an album that took you out of your head a little bit ... and we wanted to take people on this journey," Bennington added. "It's a musical drug type of thing."
The new sound wasn't intentional for the guys. They say while creating 2007's "Minutes to Midnight," they decided to head in a direction different from their first two albums: The 2003 multiplatinum effort "Meteora" and their 10 million-selling debut, 2000's "Hybrid Theory." But before creating "Suns," the six-member band got busy working on music for their video game "Linkin Park Revenge," an app for iPhones. Rick Rubin, who co-produced the new album and also "Minutes to Midnight," says making music for the game was the "initial thrust" for the band's latest sound.


"It was interesting the way it came about because originally they didn't know that they were starting the album ... and it just like kind of took on a life of its own," Rubin said. "Then we talked about well maybe (if) this is the music that you're passionate about making, maybe this is where it's supposed to go."

The veteran music producer says taking a new approach was best for the band. "They came out sort at the tail end of the wave of the rap-rock movement...and then when sort of the world of alternative music changed away from that kind of music, they were in kind of a dangerous spot," Rubin said. "They could have continued making music like that, which they had great success doing, but...I think it would have been a very short-term game."

Though some fans may not appreciate the new disc, others have. "Suns"debuted at No. 1 on the Billboard 200 200 chart this month; it also hit the top spot in Europe and Canada. Bennington says because of the sound the band is known for -- a mix of rap and heavy metal -- it's virtually impossible to satisfy their many kinds of fans.



"As artists, [making music is] a completely selfish endeavor," he said. "We're making music for us, that we like. We're not making music for other people...We're not thinking, 'Let's make a pie-graph of all our fans and find out how many people fit in whatever category and then make the perfect album for them.' Like, that would be absolutely ridiculous."

Bennington says the band is more interested in growing creatively: "We like putting [ourselves] on the line so to speak and really take chances with the music that we're making and we're becoming more and more comfortable doing that."

One main artistic departure for the band on "Suns" is the use of political speeches. There are interludes that take from an interview with physicist J. Robert Oppenheimer regarding the Manhattan Project and another from Dr. Martin Luther King Jr.'s 1967 anti-war speech "Beyond Vietnam: A Time for Breaking Silence."

"They're hearing hope, they're hearing anger, they're hearing stuff about, you know, humanity destroying itself," Shinoda said of the album's messages. "You talk to your friends, you see things on the news, you read things online and all this stuff just happens, and we wanted to find a way to kind of put all that stuff together."

Shinoda says because of the digital turn music has taken in the last decade, most fans expect to hear a singles' album, not an album's album. He said he wanted to make sure Linkin Park didn't fall into that lane. Quoting the band's bass player, Phoenix, he explained: "I just feel like the music that's out there in the mainstream for the most part, there's so much candy. It's good for a short taste, it's good for a little short burst of whatever and then there's no substance to it, and you can't eat a lot of it or you'll get a stomachache."

"I want something that has some substance -- some sustenance," Shinoda continued. "[But] we're finding that a lot of fans are having a hard time even wrapping their heads around it, much less explaining what it is that they're checking out."
But Rubin says fans will get on board, in due time. "I played it for some people who don't like Linkin Park, or never liked Linkin Park, and they love it," he told. "It's going to take a minute for the people who are going to like this to know that they like it. It'll be the open-minded fans who have kind of grown up with the band and grow with them."

© 2010 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.





Linkin Park Edges Out Trey Songz for Number One

A mere 1,000 copies separate 'A Thousand Suns' and 'Passion, Pain & Pleasure,' as the 'Billboard' 200 recovers from last week's record lowOPULAR



Schwartz/Getty
By  Daniel Kreps
Sep 22, 2010 6:01 PM EDT
Linkin Park grabbed the number one spot on the Billboard 200 with this week's release ofA Thousand Suns, which just edged out Trey Songz's Passion, Pain & Pleasure. Final tally:A Thousand Suns, 241,000 copies; Passion, Pain & Pleasure, 240,000 copies, according to Nielsen SoundScan. This is Linkin Park's third consecutive chart-topping album, but the opening week sales were way down compared to the 623,000 copies 2007'sMinutes to Midnight moved in its first week. However, Linkin Park and Trey Songz together helped boost the total album sales 11 percent over last week's record low.
The Top 10 was heavily populated by new albums. Country singer Jamey Johnson scored the number four spot with his fourth album The Guitar Song, which sold 63,000 copies to finish one spot ahead of Robert Plant's new Band of Joy. (The Guitar Song also earned four and a half stars from Rolling Stone .) Weezer's Hurley and Brandon Flowers' solo discFlamingo both finished in the top 10, at number six and number eight, respectively.
Last week's number one, Sara Bareilles' Kaleidoscope Heart, dropped to number 12 in its second week. The MTV Video Music Awards boosted some albums, with Eminem's Recovery(which came in at number three again), Florence and the Machine's Lungs and Justin Bieber's My World 2.0 all seeing a rise in sales.

Linkin Park, The Prodigy, Does It Offend , Yeah? team up for U.S. tour


This January, Linkin Park will embark on their first North American tour in three years and they’re bringing a few foreign powerhouses along for the ride. UK up-and-comers Does It Offend You, Yeah? and Australian dance rockers Pendulum will open the first half of the trek, which is set to begin January 20th in Sunrise, Florida. Then, starting February 15th in Houston, Texas, iconic electronic outfit The Prodigy will join Linkin Park for seven dates.
Meanwhile, The Prodigy just dropped a rather kick ass remix of Jay-Z’s “99 Problems”. You can check it out, as well as peep all confirmed tour dates below.


Artists in this Article

Linkin Park
Hot off the recent success of its album "A Thousand Suns," rock outfit Linkin Park announced its first North American tour since 2008 Monday (Nov. 15). Dates kick off Jan. 20 in Sunrise, Fla., with shows scheduled through Feb. 26.

While the band hasn't played a full-fledged U.S. tour since 2008, Linkin Park recently completed a European tour and was voted the Best Live Act at the 2010 MTV European Music Awards.

Joining the Linkin Park on its North American tour are openers Does It Offend You, Yeah? and Pendulum, who will perform through Feb. 11, andthe Prodigy, from Feb. 15-26.


Fans can expect a mix of old and new material throughout the tour, as well as a strong visual presence, according to vocalist Chester Bennington.

"A Thousand Suns" debuted at No. 1 on the Billboard 200 chart back in September, and eight weeks later, is still charting on the 200, this week at No. 33. The album, the band's fourth, has sold 472,000 copies so far, according to Nielsen SoundScan.


"Waiting For the End," the second single off "A Thousand Suns," reaches No. 3 this week on Billboard's Alternative Songs chart, which will be published Thursday (11/18) on Billboard.com. Lead single "The Catalyst" peaked at No. 27 on the Billboard Hot 100 chart back in early October, as well as No. 1 for four weeks on the Alternative Songs chart and No. 1 for five weeks on the Rock Songs chart.




The day after Linkin Park's latest album was released, its lead singer, Chester Bennington, logged on to iTunes to check some of the reviews. Though the responses weren't all positive, he liked what he read.


"This time around it's like, they either love it and it's five-stars across the board, or they hate the record so much that ... if they could they would throw it at us," Bennington said. "And I think that's great."

While there's still heavy metal-fused hip-hop on "A Thousand Suns," there's also psychedelic, instrumental moments that are a departure for the Los Angeles-based rap-rockers. Mike Shinoda says "Suns" is an album that "asks a lot of attention from people," adding that "it's more of a 48-minute experience than it is just a collection of singles."

"We really tried to make an album that took you out of your head a little bit ... and we wanted to take people on this journey," Bennington added. "It's a musical drug type of thing."
The new sound wasn't intentional for the guys. They say while creating 2007's "Minutes to Midnight," they decided to head in a direction different from their first two albums: The 2003 multiplatinum effort "Meteora" and their 10 million-selling debut, 2000's "Hybrid Theory." But before creating "Suns," the six-member band got busy working on music for their video game "Linkin Park Revenge," an app for iPhones. Rick Rubin, who co-produced the new album and also "Minutes to Midnight," says making music for the game was the "initial thrust" for the band's latest sound.


"It was interesting the way it came about because originally they didn't know that they were starting the album ... and it just like kind of took on a life of its own," Rubin said. "Then we talked about well maybe (if) this is the music that you're passionate about making, maybe this is where it's supposed to go."

The veteran music producer says taking a new approach was best for the band. "They came out sort at the tail end of the wave of the rap-rock movement...and then when sort of the world of alternative music changed away from that kind of music, they were in kind of a dangerous spot," Rubin said. "They could have continued making music like that, which they had great success doing, but...I think it would have been a very short-term game."

Though some fans may not appreciate the new disc, others have. "Suns"debuted at No. 1 on the Billboard 200 200 chart this month; it also hit the top spot in Europe and Canada. Bennington says because of the sound the band is known for -- a mix of rap and heavy metal -- it's virtually impossible to satisfy their many kinds of fans.



"As artists, [making music is] a completely selfish endeavor," he said. "We're making music for us, that we like. We're not making music for other people...We're not thinking, 'Let's make a pie-graph of all our fans and find out how many people fit in whatever category and then make the perfect album for them.' Like, that would be absolutely ridiculous."

Bennington says the band is more interested in growing creatively: "We like putting [ourselves] on the line so to speak and really take chances with the music that we're making and we're becoming more and more comfortable doing that."

One main artistic departure for the band on "Suns" is the use of political speeches. There are interludes that take from an interview with physicist J. Robert Oppenheimer regarding the Manhattan Project and another from Dr. Martin Luther King Jr.'s 1967 anti-war speech "Beyond Vietnam: A Time for Breaking Silence."

"They're hearing hope, they're hearing anger, they're hearing stuff about, you know, humanity destroying itself," Shinoda said of the album's messages. "You talk to your friends, you see things on the news, you read things online and all this stuff just happens, and we wanted to find a way to kind of put all that stuff together."

Shinoda says because of the digital turn music has taken in the last decade, most fans expect to hear a singles' album, not an album's album. He said he wanted to make sure Linkin Park didn't fall into that lane. Quoting the band's bass player, Phoenix, he explained: "I just feel like the music that's out there in the mainstream for the most part, there's so much candy. It's good for a short taste, it's good for a little short burst of whatever and then there's no substance to it, and you can't eat a lot of it or you'll get a stomachache."

"I want something that has some substance -- some sustenance," Shinoda continued. "[But] we're finding that a lot of fans are having a hard time even wrapping their heads around it, much less explaining what it is that they're checking out."
But Rubin says fans will get on board, in due time. "I played it for some people who don't like Linkin Park, or never liked Linkin Park, and they love it," he told. "It's going to take a minute for the people who are going to like this to know that they like it. It'll be the open-minded fans who have kind of grown up with the band and grow with them."







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